GLITCH by Prism Five, track by track
GLITCH by Prism Five track by track: all 17 songs of the Seoul group's debut in their official order, from the roll-call opener "BOOM" to the closing "Rewind." The album moves from group bravado and candy-coated crushes to self-acceptance, love songs and a last look back.
Listen to GLITCH by Prism Five track by track and the debut's shape comes into focus: a roll call, a run of bravado, a burst of candy-coated crushes, a pair of self-acceptance songs, then a long stretch of love songs that ends by looking back. Prism Five, the five-member K-pop group from Seoul, keeps one idea running through all of it: five voices that refuse to fit the code.
GLITCH is the 17-track debut album by Prism Five, released on McCandless Records on May 11, 2026, three days after the title track came out as a single on May 8. The album opens with "BOOM" and closes with "Rewind," with the title track at number 2. GLITCH runs about 42 minutes; "Sugar Rush" is the shortest song at 1:55 and "Infinity" the longest at 3:52.
GLITCH by Prism Five is written for a group that performs in formation, so stages, countdowns and choreography recur as often as romance. The tech imagery of the title track spreads across the album into video games, radio signals and neon, giving 17 different songs a shared vocabulary.
GLITCH by Prism Five track by track
1. "BOOM" (2:08) — The opener is Prism Five's arrival announcement, shouting the group's name before the first verse begins. The members pull up "five deep, synchronized," fall into formation and promise that every stage they touch goes boom. A rap verse sets out the mission statement, "five girls, one dream, we don't quit," before the countdown hook crashes back in.
2. "GLITCH" (2:25) — The title track turns a computer malfunction into a statement of identity: told to be perfect "pixel by pixel," the five members cast themselves as "the error that became official." The verses pile up tech imagery, from buffering and ctrl-alt-delete to a crashed mainframe and rewritten code, to describe breaking out of a programmed mold. "GLITCH" was also released on its own as a single on May 8, 2026.
3. "Savage" (2:03) — "Savage" is a pure confidence track: the group walks into a room, the temperature drops, and the hook dares anyone to be mad about it. The rap verse keeps refusing a box, with five queens who "broke every single lock" and a boast that nobody does "the Prism thing" like them. Sitting directly after the title track, it keeps the opening stretch defiant.
4. "Cherry Bomb" (2:00) — "Cherry Bomb" plays on the gap between sweet and dangerous, with red lips and candy charm on the surface and an explosion one bite later. Pink clouds and red rain paint the town over a ticking countdown, and the bridge sums the idea up as "sweet and scary." Track 4 keeps the bravado of the openers but dresses it in sugar, setting up the candy imagery of the next song.
5. "Sugar Rush" (1:55) — "Sugar Rush" is a crush song told almost entirely in candy, with a strawberry smile, caramel eyes and a sugar high the narrator has no wish to cure. It is the shortest song on GLITCH and the first to point its affection at someone else rather than at the group. The chorus lands on the confession "I'm addicted, way too much."
6. "Level Up" (1:58) — "Level Up" frames the group's rise as a video game, complete with character select, power-ups, a cheat code and final bosses eaten for breakfast. Under the playful conceit sits a familiar message: every time someone tried to end their run, the members "respawned with better teams." The track swings the album back toward competition and signs off with a spoken "game complete."
7. "Overdrive" (2:21) — "Overdrive" is a night drive with no brakes, burning rubber along a neon boulevard until morning light. The car doubles as a metaphor for the group's momentum, summed up in the bridge line "heart's a motor, blood is fuel." The song then hands over to the romantic vertigo of track 8.
8. "Dizzy" (2:15) — "Dizzy" treats the first rush of a crush as literal vertigo: the narrator trips over her words, forgets her own name and goes upside down over a single text while her friends laugh. In the bridge she asks "is this love or just the thrill?" and decides she wants it either way. Near the middle of GLITCH, it is the album's most openly giddy love song.
9. "Neon" (3:16) — "Neon" is a nightlife anthem set in a glowing midnight city, where the members become living light, with "fluorescent hearts, electric souls" and every wavelength from ultraviolet to infrared. Others keep trying to dim them and failing, and the chant "five colors, one light" ties the imagery back to the group. At 3:16 it runs longer than anything before it on the album.
Prism Five counts to five on almost every song: five girls, five colors, five butterflies, five reflections.
10. "Butterfly" (2:40) — "Butterfly" is a transformation song that follows a narrator from a caterpillar hiding in her shell to wings in colors she has never seen. The second verse widens the picture to "five butterflies dancing everywhere," and the bridge declares that no cage can hold her. Track 10 opens the album's pair of self-acceptance songs.
11. "Mirror Mirror" (2:19) — "Mirror Mirror" flips the fairy-tale question around: the narrator used to hide from her reflection and now likes who is looking back. Flaws she once hated become cracks that let the light through, and she settles on "I'm not perfect and that's fine." Its "five reflections standing strong" tie the song back to the group and to "Butterfly" before it.
12. "Crown" (2:22) — "Crown" opens by refusing to bow down and makes the case for self-made royalty: a group others tried to break, turning every scar into a stepping stone and building its standing "from the underground." Near the end each member takes a line of her own as Yuna, Hana, Sora, Mina and Jia are named in turn. Track 12 then hands off to a pair of love songs.
13. "Heartbeat" (2:38) — "Heartbeat" is a sleepless, middle-of-the-night crush song in which the narrator's pulse says what she cannot. She replays the move he didn't make, notices that rainy days now feel like summer and admits she saved his name with a little heart. In the bridge the rhythm in her chest is "spelling out your name," and the final chorus says the confession out loud.
14. "Frequency" (2:22) — "Frequency" describes connection as a radio signal: the narrator scans through the static until she catches someone's wavelength, and every other station starts to sound like toys. The lyrics mix old and new tech, from being dialed up at midnight to not needing Wi-Fi "when I got your signal." Following "Heartbeat," it is another love that is felt before it is spoken.
15. "Spotlight" (2:55) — "Spotlight" is a stage song about the moment preparation pays off, moving from the silence before the beat drops to choreography "cold as ice." The second verse looks back at sweat on the practice floor, ten thousand hours of work and the road "from trainees to queens of the scene." It is the album's last big showcase before the closing pair.
16. "Infinity" (3:52) — "Infinity" is the album's most expansive love song, set among slow-spinning galaxies and a meteor kiss, with the narrator promising to find the same person in every lifetime. The bridge imagines the stars burning out, then lands on the song's central image, an "eight on its side" standing for the two of them. At 3:52 it is the longest track on GLITCH.
17. "Rewind" (2:42) — "Rewind" closes the album with a wish to play a relationship back from the start, surrounded by Polaroids on the bedroom floor, mixtapes and roller rinks. The narrator calls fast-forward overrated, but the final chorus shifts from reliving the past to making new memories, declaring that "the future starts tonight." GLITCH ends looking backward and forward at once.
How GLITCH by Prism Five is sequenced
GLITCH by Prism Five is sequenced in clear blocks. Tracks 1 to 4 trade in bravado, tracks 5 to 8 alternate giddy crushes with a video game and a night drive, and tracks 10 and 11 form a self-acceptance pair framed by the group anthems "Neon" and "Crown." From track 13 the album turns to love songs, broken only by the stage anthem "Spotlight."
Prism Five also uses the number five as a refrain across the record. "BOOM" has "five girls, one dream," "GLITCH" and "Savage" both count five girls, "Neon" chants "five colors, one light," and "Crown" names all five members. That repetition turns separate pop songs into a group portrait, which suits an act built on synchronized choreography and multi-vocal harmonies.
Key takeaways from GLITCH by Prism Five
- GLITCH by Prism Five has 17 tracks, opening with "BOOM" and closing with "Rewind"; the title track sits at number 2.
- The title track was released as a single on May 8, 2026, and the full album followed on May 11.
- The first half leans on group bravado and candy-coated crushes; the second half turns to self-acceptance and love songs.
- The number five recurs across the lyrics, tying the songs to the five members: Yuna, Hana, Sora, Mina and Jia.
GLITCH by Prism Five begins with a roll call and ends with a rewind button, and the 15 songs between them keep the group at the center. The title track's claim to be "the error that became official" sets the terms for the whole debut: not fitting the code is the point.